Most works shown are for sale, as well as poster prints. Contact me at lightsourcedrafting@gmail.com if you are interested in purchase.

Click images to enlarge.

Tuesday, May 17, 2011

These final two pieces in the series place further emphasis on the idea that the abstract structure of light reveals and compliments the physical structure of the subject.

Acrylic on Canvas
20x25"

Acrylic on Canvas
24x36"
Two more paintings in this series. The first was partly an exploration of color as it reveals the structure of light, whereas the second experiments with stylistic mark-making, which is an aspect of my work that has persisted in many pieces.

Acrylic on Canvas
14x18"

Acrylic on Canvas
18x24"

Saturday, May 14, 2011

The first several pieces in a series which emerged from the ideas in the previous two pieces, concentrating on the play of light in that it both reveals and creates abstract structure.


Acrylic on Cardboard
16x22"


Acrylic on Canvas
14x24"


Acrylic on Canvas
18x24"
Two little pieces exploring the abstract play of artificial light across a human landscape, as well as compositional balance through segmentation.


Acrylic on Illustration Board
4x10"

Acrylic on Illustration Board
5x8"


A focus on chiaroscuro and abstraction in a still life form.

Conte on Paper
18x14"
Acrylic on Illustration Board
14x10"
An experiment in abstraction. A still life treated as a landscape, then (the second image) further exploring abstraction of form and light.

Vine Charcoal, Conte on Cardboard
38x26"

Vine Charcoal and Conte on Paper
19x25"

Thursday, May 12, 2011

Three pieces studying, respectively, organic vs. man-made forms, the draped figure, and an Albrecht Dürer inspired study of chiaroscuro on a "punched pillow" form.
Acrylic on Canvas
10x14"

Ballpoint Pen and Conte on Paper
10x8"

Ballpoint Pen on Paper
8x10"
Two backlit objects on a windowsill. Focusing on notions of chiaroscuro (patterns of light and dark) and on negative space.

Colored Pencil on Paper
8x10"

These two pieces are based on Dürer's "Adoration of the Magi" along with the style of contemporary illustrator Stephanie Carter. The first image is a drawing abstracting the compositional forms in "Adoration of the Magi" through the use of Carter's style, whereas the second image is based upon a further abstraction of the first image.

Colored Pencil on Paper
10x10"

Acrylic on Illustration Board
22x30"
Two pieces, both based on portraiture and color theory, but the first piece focusing on the former and the second piece focusing on the latter. The second, in particular, is based on Johannes Itten's theories of color contrast, exploring several forms of contrast as detailed by Itten.

Collage, Acrylic on Illustration Board
18x14"

Acrylic on Illustration Board
7x5"
Experimentations with stylization- the illusion of water (with inspiration from Picasso's "Guernica,") and the illusion of the face through fabric.

Wax Crayon on Cardboard
22x30"

Scratchboard
5x7"